Douglas E. Richards
Douglas E. Richards talks the pros and cons of self publishing, everything you should consider before going on your own.
ITW Presents: Publishing in the UK – Everything You Need to Know
With Vicki Mellor (Fiction Publishing Director, Pan Macmillan), Stefanie Bierwerth (Publisher, Quercus, Hachette Group), Karen Sullivan (Founder, Orenda Books), Emily Griffin (Publishing Director, Century Books, Penguin Random House), and moderated by K.J. Howe.
Agent Jennifer Weis
Agent Jennifer Weis and the inside look into agents.
Agent Doug Grad
Agent Doug Grad continues our series in hearing from agents.
Agent Gina Panettieri
Agent Gina Panettieri speaks about how to get an agent.
Editor Jamie Levine
Editor Jamie Levine talks the importance of editing and why you need it now!
ITW Presents: Independent Publishing – Bringing Your Book to Market
With Oriana Leckert (Director of Publishing and Comics Outreach for Kickstarter), Ricardo Fayet (Co-founder of Reedsy), Josh Floyd (Ingram Global Senior Key Accounts Manager for Ingram Content Group), and moderated by Libby Jordan (Author Advocate and Educator).
ITW Presents: The Author Agent Relationship
With J.D. Barker, Robert Dugoni, Tori Eldridge, Jenny Milchman, and moderated by Elena Hartwell.
Why do you need an authenticity screener? Hannah Gomez tells all.
Authenticity screener and editor Hannah Gomez, from Kevin Anderson and Associates (KAA), joins W2T and gives authors incredible insight into how they are a crucial part of your editing process.
My Path to Publication: A Cinderella Story
Nicole Baart is a critically-acclaimed novelist whose work has been featured as a Midwest Connections book pick, nominated for a Christy Award, and earned a starred and featured review from Publishers Weekly. In 2011 she co-authored a book that debuted at #4 on the New York Times bestseller list. Here, Baart shares her path to publication tale—a true Cinderella story.
Rejections And Bad Reviews: Hurl, Hurt, And Howl
You’re excited about the release of your thriller. Your publisher is pleased, the ARCs look terrific, and you have positive feedback from your agent, editor, and writing group. You’re waiting for your first glowing critique. Then, from out of nowhere, a critic gut-punches you with an eviscerating review. If you’re like most thriller writers, you want good reviews, but you also know it’s unrealistic to expect thumbs up every time.